The Studio as Superstar
In spite of volatile temperaments, fragile egos, and artistic moods, the studio system was for a whole fifteen years the only way to make films in India.
In spite of volatile temperaments, fragile egos, and artistic moods, the studio system was for a whole fifteen years the only way to make films in India.
Preservation of national cinema is the primary concern of any film archive. If we ourselves are not going to preserve our films, nobody else will do it for us. Archival reproduction of ‘Why Preserve Films’ by P.K. Nair.