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Akramana (The Conquest) is a 1979 Kannada film directed by Girish Kasaravalli. It had Vijaya Kashi, Vaishali Kasaravalli, Padmashree and Chandrakumar Jain in the lead roles. The film is a psychodrama revolving around its three protagonists, their struggle to break free from the limitations of family and tradition, and the ultimate acceptance of the realities of life.
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Mohan Joshi Hazir Ho! is a 1984 Hindi film directed by Saeed Akhtar Mirza. Based on a story penned by Mirza, the film tells the story of an elderly couple who decide to take on the corrupt nexus of the rich and the law and pay dearly.
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Paar is a 1984 Hindi film directed by Goutam Ghose, with Naseeruddin Shah and Shabana Azmi in prominent roles. Based on the Bengali story ‘Paari’ by Samaresh Basu, the film tells the story of a Dalit couple forced to flee their village after a massacre and their ordeal and quest for homecoming.
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Junoon (Eng: Obsession) is a 1978 Hindi film directed by Shyam Benegal. Based on Ruskin Bond’s novella ‘A Flight of Pigeons’, the film is set around the Revolt of 1857, and a Pathan noble’s obsession for an English girl and the tragedy that war brings with itself.
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Ghasiram Kotwal is a 1976 Marathi Film based on a play of the same name by Vijay Tendulkar. The film was the first venture of YUKT Film Cooperative, an experiment in collective filmmaking and was made by a group of filmmakers – K. Hariharan, Kamal Swaroop, Mani Kaul, and Saeed Akhtar Mirza.
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CRUSHED WINGS is the first drama film of its kind on Female Genital Mutilation – also known as FGM – on the harsh reality of this brutal, increasingly widespread cultural ritual.
Akramana (The Conquest) is a 1979 Kannada film directed by Girish Kasaravalli. It had Vijaya Kashi, Vaishali Kasaravalli, Padmashree and Chandrakumar Jain in the lead roles. The film is a psychodrama revolving around its three protagonists, their struggle to break free from the limitations of family and tradition, and the ultimate acceptance of the realities of life.
Sukhdev was certainly the greatest Indian documentary film-maker that ever lived. A gentle, a clown, an extraordinary friend, Sukhdev had no pretension to him, He could not brook pettiness, puffery or prudery.
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