Kalira Atita is a 2019 Odia film by noted film maker, Nila Madhab Panda. The film is based on real events, set in Satavaya, a cluster of seven villages on India’s east coast that are swallowed up by the rising sea as a result of climate change.
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Jharokh aka Ventilator, directed by Aneek Chaudhuri is finally releasing online for Indian Viewers on MovieSaints.
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City filmmaker Aneek Chaudhuri has completed the shooting of his upcoming feature-length venture ‘A Sonnet to the Hushed Times’ which is a tribute to the Silent Era and to be precise, Charles Chaplin.
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So how does one sum up Smita’s achievement? At the risk of being misunderstood, let me say that she remained an actress in search of a director.
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In spite of volatile temperaments, fragile egos, and artistic moods, the studio system was for a whole fifteen years the only way to make films in India.
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Hello Arsi is a critically acclaimed 2018 Odia film directed by Sambit Mohanty. Set in the backdrop of the mining belt of Rourkela, the film traces the story of a young man and a woman whose paths cross accidentally.
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Preservation of national cinema is the primary concern of any film archive. If we ourselves are not going to preserve our films, nobody else will do it for us. Archival reproduction of ‘Why Preserve Films’ by P.K. Nair.
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Sukhdev was certainly the greatest Indian documentary film-maker that ever lived. A gentle, a clown, an extraordinary friend, Sukhdev had no pretension to him, He could not brook pettiness, puffery or prudery.
Mohan Joshi Hazir Ho! is a 1984 Hindi film directed by Saeed Akhtar Mirza. Based on a story penned by Mirza, the film tells the story of an elderly couple who decide to take on the corrupt nexus of the rich and the law and pay dearly.
Paar is a 1984 Hindi film directed by Goutam Ghose, with Naseeruddin Shah and Shabana Azmi in prominent roles. Based on the Bengali story ‘Paari’ by Samaresh Basu, the film tells the story of a Dalit couple forced to flee their village after a massacre and their ordeal and quest for homecoming.
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